
The renowned pianist, conductor and musicologist, Robert Levin, arrives in 国际米兰对阵科莫 this week, where he will give a series of lectures and recitals that take us behind the scenes of performing Mozart.
The renowned pianist, conductor and musicologist, Robert Levin, arrives in 国际米兰对阵科莫 this week, where he will give a series of lectures and recitals that take us behind the scenes of performing Mozart.
Robert Levin is renowned for a style of playing that represents the perfect intelligent fusion of musicology and musical execution.
Iain Fenlon
The renowned pianist, conductor and musicologist, Robert Levin, arrives in 国际米兰对阵科莫 this week, where he will give a series of lectures and recitals that take us behind the scenes of performing Mozart.
Levin is the latest holder of a Humanitas Visiting Professorship in Chamber Music at the University鈥檚 Centre for Research in the Arts, Social Sciences and Humanities (CRASSH). During his tenure, he will give a series of public lecture-recitals on the theme of 鈥淓ncountering Mozart鈥 at the Faculty of Music, as well as an open rehearsal and concert with performers from the Academy of Ancient Music this Wednesday, 31 October.
The latter rekindles a working relationship with the Academy which began in the 1990s, when Levin collaborated with Academy performers to deliver an acclaimed cycle of Mozart piano concertos. Their performance this week will feature chamber and solo works, including both Mozart鈥檚 and Beethoven鈥檚 quintets for piano and winds.
Levin鈥檚 first public lecture, 鈥淚mprovising Mozart鈥, will consider how idiomatic embellishments and cadenzas (virtuoso solo passages) can be introduced into Mozart's music, using facsimiles of manuscripts as well as free fantasies. The lecture will conclude with Levin performing a free fantasy improvised on Classical period themes suggested by the audience.
In his second lecture-recital, 鈥淐omposing Mozart鈥, Levin will discuss the various completions that he has provided to a wide range of Mozart fragments, from small piano pieces to concerto movements and the Requiem and C minor Mass.
The Humanitas Chair in Chamber Music aims to bring world-renowned performers to 国际米兰对阵科莫 to share insights into both the character and challenges of musical performance, explaining how they approach various musical masterpieces and how their interpretative choices impact on listeners. The first post-holder, in 2011, was Alfred Brendel, who during an illustrious 60-year career became the first pianist to record Beethoven鈥檚 complete piano works.
As a pianist and conductor, Robert Levin has been heard throughout the United States, Australia, Europe and Asia with such conductors as Semyon Bychkov, James Conlon and Sir Simon Rattle. Well-known for his improvised embellishments and cadenzas in Classical period repertoire, he has made numerous recordings, and his completions of Mozart fragments have been widely published, recorded and performed throughout the world.
Chairman of the Faculty Board of Music, Professor Iain Fenlon, said: 鈥淩obert Levin, one of the foremost performers of keyboard music on period instruments, is renowned for a style of playing that represents the perfect intelligent fusion of musicology and musical execution.鈥
The Humanitas Visiting Professorship in Chamber Music 2012 has been made possible by the generous support of Mr Lawrence Saper. The Humanitas Chair in Chamber Music is hosted by Peterhouse and the Faculty of Music.
For full details of the lecture-recital series please visit . Concert tickets, priced 拢15, 拢13 or 拢3, can be purchased via or by calling 01223 357851.
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